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๐Ÿชถ ๐–๐ซ๐ข๐ญ๐ž๐ซ๐ฌโ€™ ๐†๐ฎ๐ข๐ฅ๐ ๐๐Ÿ” ๐๐ซ๐ž๐ฅ๐ข๐ฆ ๐“๐จ๐ฉ๐ข๐œ๐ฌ ๐€๐ง๐š๐ฅ๐ฒ๐ฌ๐ข๐ฌ ๐Ÿชถ

Updated: Sep 23

๐Ÿ•ต๐Ÿปโ€โ™‚๏ธ๐Ÿ”Žย Drawing from prelim papers across Singapore, our teachers analyse nine of the most common 2025 topics, pointing out the traps students often fall into and showing how to stay on track.


๐Ÿ’กย ๐Ÿ’ก๐Ÿ’ก A Plan That Backfired ๐Ÿ’ก ๐Ÿ’ก ๐Ÿ’ก

Traps๐Ÿชค:

๐ŸฅบStudents may sometimes fail to include their plan or a negative consequence.

๐ŸฅบAnother trap they may fall into is not ensuring that the consequences are serious enough.

โžก๏ธThe marker may feel the story lacks depth because nothing truly significant happens and award lower marks since the plot is not sufficiently engaging.

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Tricks๐Ÿช„:

๐ŸŽฏThe topic requires the main character to be involved in a plan that did not have a positive result. Instead, it should cause negative repercussions.

๐ŸŽฏIn fact, the greater the fallout, the more gripping the story becomes.

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๐Ÿ’ก ๐Ÿ’ก๐Ÿ’ก Receiving Encouragement ๐Ÿ’ก ๐Ÿ’ก ๐Ÿ’ก

Traps๐Ÿชค:

๐ŸฅบThe moment of encouragement must be shown in the story, directed at the main character by someone.

๐ŸฅบIf this encouragement is not shown, or if the source is inappropriate i.e., they remember a motivational phrase instead of hearing support, or receive confidence from a passive source with no actual moment of encouragement from someone of significance,

โžก๏ธMissing out on this pivotal moment will weaken the relevance to the topic and theme, possibly resulting in lower content marks.

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Tricks๐Ÿช„:

๐ŸŽฏThe student should expound on the moment of encouragement with dialogueย because interaction between the characters makes the scene vivid and believable. This shows rather than tells the reader the way that the encouragement is given.

๐ŸŽฏShowing the effect of the encouragement and how it makes a difference to the situation that the main character is in will illustrate the meaningful effect of encouragement. In addition, it highlights the main characterโ€™s growth or change and ensures that the story stays on topic.

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๐Ÿ’กย ๐Ÿ’ก๐Ÿ’ก Solving a Problem ๐Ÿ’ก ๐Ÿ’ก ๐Ÿ’ก

ย Traps๐Ÿชค:

๐ŸฅบRelying on figures of authority to resolve the problem in the story instead of the main character who initially faced the problem actually carrying out the problem solving process. Students usually struggle to show the realistic thought processes towards solving the problem in this case.

โžก๏ธOtherwise, the examiner may view this as a weak or off-topic response and a missed opportunity for character development.

ย 

Tricks๐Ÿช„:

๐ŸŽฏTo hit the nail on the head, it is crucial for students to ensure the main character must be directly involved in the singular specified problem and its resolution. Extra points if the problem is not something that is easily solvable and requires strong character growth!

๐ŸŽฏIn addition, the problem must be specified and targeted from the get-go. There should not be more than one problem.

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๐Ÿ’ก๐Ÿ’ก๐Ÿ’ก Making An Improvement ๐Ÿ’ก ๐Ÿ’ก ๐Ÿ’ก

Traps๐Ÿชค:

๐ŸฅบStudents may create logic gaps within this story, such as painting an unrealistic picture of the improvement. For example, going from being last in a race to winning it within a single week.

๐ŸฅบFurthermore, an incredibly common pitfall in this topic is failing to show the process behind the improvement. Students must demonstrate the effort or difficulty in the steps towards the improvement in order for their stories to be on-topic.

โžก๏ธThe examiner will remain unconvinced of the main characterโ€™s growth. Such an undeveloped story is unlikely to score for Content.

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Tricks๐Ÿช„:

๐ŸŽฏIn order to score well, an important aspect of this composition is to include the motivation of the main character. Showing the spark behind the action justifies the improvement and shows the drama behind it.

๐ŸŽฏIt is important for students to portray the entire process, such as the steps, and even mistakes. This believable story plot format, where failure comes before success, makes the plot more human and relatable.

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๐Ÿ’กย ๐Ÿ’ก๐Ÿ’กย Being Forgetful ๐Ÿ’กย ๐Ÿ’กย ๐Ÿ’ก

Traps๐Ÿชค:

๐ŸฅบPerhaps in the haste of brainstorming, students may leap straight into simplistic ideas without a second thought, like forgetting to bring something as trivial as homework. This creates a complication which is both easily solvable and unremarkable.

๐ŸฅบMisconstruing the keyword โ€œforgetfulโ€ as meaning reckless or careless could lead to a story that strays completely off-topic.

โžก๏ธExaminers expect to see meaningful stories with consequences. Succumbing to these traps can yield stories that are both shallow and off-topic.

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Tricks๐Ÿช„:

๐ŸŽฏStudents should focus on an issue that leads to a blow-up with serious consequences, creating tension in the story that will captivate the reader.

๐ŸŽฏBonus points if they also show the main characterโ€™s effort to resolve the issue as this results in a well-rounded resolution and a meaningful conclusion.

ย 

๐Ÿ’กย ๐Ÿ’ก๐Ÿ’กย Overcoming A Fear ๐Ÿ’กย ๐Ÿ’กย ๐Ÿ’ก

Traps๐Ÿชค:

๐ŸฅบA touch-and-go portrayal of the fear, where the intensity and emotions are barely conveyed, is quite a common scenario.

๐ŸฅบSimilarly, an overly rushed depiction of overcoming the fear (such as stage fright resolved by simply โ€œmustering courageโ€) fails to show genuine struggle or personal growth. This often stems from examination pressure or poor planning and strips the story of any creative layers.

โžก๏ธThe story ends up feeling very predictable and unimpressionable, being another story in a sea of other stories with mediocre results.

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Tricks๐Ÿช„:

๐ŸŽฏExtra marks would be given for creativity if students manage to write about a fear that is uncommon or is rooted in a unique situation.๐ŸŽฏThis shows originality, adds emotional depth and demonstrates the studentโ€™s ability to think beyond clichรฉs.


๐Ÿ’กย ๐Ÿ’ก๐Ÿ’กย Making A New Friend ๐Ÿ’กย ๐Ÿ’กย ๐Ÿ’ก

Traps๐Ÿชค:

๐ŸฅบA lack of description of the friend leads to weak characterisation. This reduces the emotional connection the examiner may feel towards both the main character and the new friend.

๐ŸฅบDue to the positive nature of the topic, it is common to miss out developing problems or complications. This results in a story that feels superficial and lacks significant impact or conflict.

โžก๏ธย The examiner may feel that the theme is underdeveloped and that the story lacks vibrance or creativity, offering no twists or surprises, just like a carnival ride that moves straight ahead without any ups and downs.

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Tricks๐Ÿช„:

๐ŸŽฏThe key to a compelling story here is to ensure colourful characterisation here. Detailing the friendโ€™s physical looks, personality and establishing the relationship to the main character is key to making the friendship believable and showing the importance of this connection.

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๐Ÿ’กย ๐Ÿ’ก๐Ÿ’กย Doing Something Meaningful ๐Ÿ’กย ๐Ÿ’กย ๐Ÿ’ก

Traps๐Ÿชค:

๐ŸฅบMeaningful indicates engaging in something that feels serious or important to the main character with purpose. Students may mistakenly treat doing something meaningful as simply performing a good deed or even a deed that requires minimal effort.

๐ŸฅบA meaningful deed should involve intentional personal effort, going the extra mile and not just a simple and convenient act.

โžก๏ธWithout these, the story is unconvincing, failing to capture the significance of doing something meaningful.

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Tricks๐Ÿช„:

๐ŸŽฏWas there something that stopped the main character from doing the meaningful deed? Including this willย highlight the effort and determination required, showing that the action truly mattered to the main character.

๐ŸŽฏDetailing the meaningful deed and actively stating what significance and impact this deed had on the main character and other peripheral characters in the story paints the full picture for the reader.

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๐Ÿ’กย ๐Ÿ’ก๐Ÿ’กย Being Late ๐Ÿ’กย ๐Ÿ’กย ๐Ÿ’ก

Traps๐Ÿชค:

๐ŸฅบIn many cases, students tend to rush through the actual scene of being late, skipping details and jumping from problem to resolution without properly developing the story.

๐ŸฅบThere may also be a lack of actual consequences for being late. It is common for students to neglect the outcomes or reflection. The story will feel incomplete and even shallow.

โžก๏ธStudents may fail to engage the markerโ€™s interest as the main character in the story is expected to problem-solve and reflect. Without this, the main character may be perceived by examiners as being complacent and indifferent.

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Tricks๐Ÿช„:

๐ŸŽฏChoosing a scenario that begets a high-stakes situation, showing both dynamism and the negative consequences of oneโ€™s action of being late, will intensify the suspense and drama.

๐ŸŽฏThe main character experiencing the negative consequences will also highlight their personal growth and improvement, demonstrating great insights to the reader.

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Intrigued? Hard copies of the model essays for the Popular P6 Prelim topics were distributed to WG students from P6 writing classes.


Stay tuned for more updates where we will share additional insights on the actual 2025 PSLE topic!


๐‘พ๐’๐’–๐’๐’…ย ๐’š๐’๐’– ๐’๐’Š๐’Œ๐’† ๐’š๐’๐’–๐’“ ๐’„๐’‰๐’Š๐’๐’…๐’“๐’†๐’ ๐’•๐’ ๐’‚๐’๐’˜๐’‚๐’š๐’” ๐’ƒ๐’† ๐’๐’ ๐’•๐’‰๐’† ๐’†๐’…๐’ˆ๐’† ๐’๐’‡ ๐’•๐’‰๐’†๐’Š๐’“ ๐’”๐’†๐’‚๐’•๐’” ๐’˜๐’‰๐’†๐’ ๐’๐’†๐’‚๐’“๐’๐’Š๐’๐’ˆ ๐’‚๐’๐’… ๐•—๐•๐•ฆ๐•ค๐•™๐•–๐•• ๐•จ๐•š๐•ฅ๐•™ ๐•”๐• ๐•Ÿ๐•—๐•š๐••๐•–๐•Ÿ๐•”๐•– ๐’˜๐’‰๐’†๐’ ๐’˜๐’“๐’Š๐’•๐’Š๐’๐’ˆ? ๐‘ช๐’๐’๐’•๐’‚๐’„๐’• ๐’–๐’” ๐’๐’๐’˜ ๐’•๐’ ๐’๐’†๐’• ๐’š๐’๐’–๐’“ ๐’„๐’‰๐’Š๐’๐’… ๐’†๐’™๐’‘๐’†๐’“๐’Š๐’†๐’๐’„๐’† ๐’๐’–๐’“ ๐’˜๐’Š๐’๐’…๐’๐’š ๐’‘๐’๐’‘๐’–๐’๐’‚๐’“ ๐‘ฌ๐’๐’ˆ๐’๐’Š๐’”๐’‰ ๐’‚๐’๐’… ๐‘ช๐’“๐’†๐’‚๐’•๐’Š๐’—๐’† ๐‘พ๐’“๐’Š๐’•๐’Š๐’๐’ˆ ๐’„๐’๐’‚๐’”๐’”๐’†๐’”! ๐‘ณ๐’Š๐’Ž๐’Š๐’•๐’†๐’… ๐’—๐’‚๐’„๐’‚๐’๐’„๐’Š๐’†๐’”!

๐ถ๐‘Ž๐‘™๐‘™/๐‘ก๐‘’๐‘ฅ๐‘ก ๐‘ข๐‘  ๐‘›๐‘œ๐‘ค:

Writers' Guild Ang Mo Kio Hub: 81274047

Writersโ€™ Guild Northpoint City: 90883136 Writers' Guild One Punggol: 91707323

Writersโ€™ Guild Punggol Cove: 96254833

Writers' Guild Tampines: 91546084

Writersโ€™ Guild Online: 96254833

โ„Ž๐‘ก๐‘ก๐‘๐‘ ://๐‘ค๐‘ค๐‘ค.๐‘ค๐‘Ÿ๐‘–๐‘ก๐‘’๐‘Ÿ๐‘ ๐‘”๐‘ข๐‘–๐‘™๐‘‘๐‘ ๐‘”.๐‘๐‘œ๐‘š/๐‘๐‘œ๐‘›๐‘ก๐‘Ž๐‘๐‘ก


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